8/14/11

Coming of Age

I finally saw Submarine last night. It was better than I had expected, though I already had a positive bias towards the film since the soundtrack (songs composed by Alex Turner) is such a knockout. As I watched Craig Roberts as the borderline pretentious, socially awkward Oliver Tate -I (being the analyst that I am) began thinking: "I feel the exact same way sometimes, do I have this cinematic-view of 15 year-old mentality at 20 years old?"

I guess a person like me is naturally drawn to coming-of-age films, from The Graduate to Garden State and anything that can fall in the gray area between. For the past 6 years, I've constantly thought about life and love whether it's my life and love or that of others. Then these films come out and, as you watch them, everything makes perfect sense -until the credits start rolling. I guess from the ages of Oliver Tate's 15 to Andrew Largeman's mid-twenties, one is supposed to be discovering who they are and what they want, but isn't it a problem if a 15 year old can relate to someone who is almost 30 on such an emotional level?

I know that film is fictional most of the time, but everything means so much more when you can relate to it. I guess what I'm trying to get at is age...maybe maturity -it's all subjective. A person can feel...confused (for lack of a better word) if there's some indie, Brit film with a inquisitive, insightful, but maybe precocious teenager that he or she can relate to when they're more or less an "adult" on the brink of their twenties. Then you watch Garden State and a person is supposed to have at least something important figured out and set by that age, right?

Either I'm thinking too much into this or I've aged myself too quickly by thinking that I should have some sort of cemented plan by the time I reach 21. Did I enjoy being 15 or did I rush it? Will I be going home to visit my family in my mid-twenties and be completely, emotionally removed from everyone because I wanted to stick to what I thought was right? Maybe I should just be satisfied with being able to relate to something -fictional film or not, regardless of extenuating circumstances.

Does this make any sense?

8/12/11

Photos from NYLON + Guess & Lollapalooza 2011

with Sarah Lewitinn -follow her @ultragrrrl
Dale Earnhardt Jr. Jr.
Courtesy of NBC Chicago
The Vaccines
Grace Potter
The Kills
Tinie Tempah
Conor Oberst of Bright Eyes
Chris Martin of Coldplay
Coldplay's crazy amazing lights
Protesters -intolerant AND sexist #pathetic
Does this even really look like Marilyn Monroe?
Phantogram
The Black Lips
The Drums
Ellie Goulding
Lykke Li
Dale Earnhardt Jr. Jr. with bubbles
Ric Ocasek of The Cars
Arctic Monkeys
Foo Fighters & probably one of my best photos ever: Dave Grohl

all photos by me -unless stated otherwise

Celebrating the 20th Anniversary of Lollapalooza

Summer vacation is no longer those 3 months out of school and a way from reality. Now, it's just a continuation of work with select days of play. Yet, while I slowly leave my years of sleeping until 1 in the afternoon and spending my parents' money on things I don't particularly leave behind -I will always have those three days of Lollapalooza. Ever since my first taste of Perry Farrell's brainchild, I waited for the first weekend in August to finally start having fun and this year was NO exception. With headliners like Coldplay and Foo Fighters, everyone in attendance was bound to have a great time, regardless of weather conditions.

My weekend started Thursday night at the NYLON + GUESS Party on Michigan Ave. It was an excuse for Faith and I to get dolled up and wander the streets of Chicago before wandering under fluorescent lighting for 2 hours. Dale Earnhardt Jr. Jr. played an acoustic set before Freddie from The Vaccines DJ'ed. We sipped Flirtinis and Coconut/Pineapple Vodka drinks while perusing the clothes that, no offense to GUESS, are SERIOUSLY overpriced. We also met my hero/life-inspiration Sarah Lewitinn: journalist, DJ, author, culture vulture, and all-around sweet person. Meeting her, chatting, and tweeting along with snagging myself a killer swag bag were the highlights of the shindig and a fantastic kick-off to a rock & roll weekend.

Friday, we all woke up in full-out festival mode. Waterproof eyeliner and mascara went hand-in-hand with Urban Decay's "Up All Night" finishing spray and plenty of tank-tops. Finally getting to the front of Grant Park, I could hear Wye Oak playing the Sony stage. The duo was in tight form playing songs off of their debut album, Civilian. I must admit though, my full attention was on The Vaccines who played the Music Unlimited stage as soon as Wye Oak finished. I was "that girl" during The Vaccines -dancing, singing every word, snapping tons of photos and telling anyone who would listen that this band is "SO AMAZING LIVE." They played their debut, What Did You Expect From The Vaccines? in its entirety. Full of energy, I hustled over to see Grace Potter & The Nocturnals.

Now, to say I was blown away by Grace Potter would be a RIDICULOUS understatement. Her voice, her style, and her energy completely blew me away. I wasn't really a fan of the band's latest release but, after a show like that, I will definitely be taking a second listen. And the chant, "Ooh lala, lalapalooza" was stuck in my head until this past Wednesday.

The Kills took the Bud Light stage after Smith Westerns absolutely killed it on the Playstation stage. If I didn't love Alison Mosshart enough already, it's now a full-blown obsession. The chemistry between her and Jamie Hince (a.k.a. Mr. Kate Moss) is fiery and raw. Their set was similar to that of Coachella's, but songs like "Future Starts Slow" "U R A Fever" and, my personal favourite, "Tape Song" had the entire crowd moving -even the couple next to me who rarely parted their lips to take in air.

Tinie Tempah rocked the Google+ stage and I was surprised at how much I actually loved his music. The crowd was wild with random dance-offs, penis balloons flying through the air, and constant, drunken rapping. I caught the end of Bright Eyes' set and watched frontman Conor Oberst jump from the stage and hug everyone he could, getting his full rockstar on. Then, it was all a waiting game for Coldplay.

I could post a novel about experiencing Coldplay for the first time, but I'll keep it to a minimum. It was beautiful -a set full of their greatest hits with frontman Chris Martin absolutely hypnotizing the crowd. "Fix You" was my favourite moment of their set, it just felt like a festival song, with the entire audience coming together. It was different, an atmosphere that was mellow but never lacking in energy. As Muse played across the field, I could only wonder what Matt Bellamy and crew were doing, but when Coldplay plugged back in I couldn't imagine being anywhere else.

As Saturday rolled around, and a little rain drizzle with a breakfast rush to Corner Bakery ensued, the day started with electro-group Phantogram. I can't WAIT for their new album. Afterwards, I made the Google+ stage my home seeing The Drums, Ellie Goulding, and Lykke Li. They were ALL amazing, but Lykke Li was my favourite of the day. Her mash-up of "Youth Knows No Pain" with Kanye West's "Power" was absolutely killer and the crowd roared when she played her hit, "Get Some" off of her AMAZING new album Wounded Rhymes,. I caught a bit of Beirut before heading back to the hotel, in which 5 people had 1 bed -crazy shit.

I was a bit sad waking up Sunday morning and realizing it was the final day of Lollapalooza, and really the end of my summer. No matter how WELL you think you've planned your day, it will get fucked up. I had planned to see Dale Earnhardt Jr. Jr., Lissie, Best Coast, Arctic Monkeys, and Foo Fighters. I ended up leaving Dale Earnhardt Jr. Jr. early for The Cars -guaranteeing myself awesome spot for Arctic Monkeys and Foo Fighters. I was actually surprised with how many Cars songs I knew, with the exception of "Let The Good Times Roll" (which, was their opener and it set a great vibe for the rest of the set). During The Cars, I looked over and saw actors Simon Rex and David Arquette standing no more than 5 feet away from me in the VIP section. I kind of just stared at them, not big enough of a fan of either to say "Hello" -but it was kind of cool.

Then...it started POURING. Literally, right before Arctic Monkeys -the clouds just pissed cold rain everywhere. As I stood there and watched the crew come out and cover the band's equipment, I just kept praying for the storm to blow over so I could hear some amazing, new tracks off of Suck It And See (which I still can't stop listening to). At 6:20, the sun peaked out from behind the clouds around the same time a rainbow appeared. Then, out walked the band and the fangirl inside of me erupted. Again, I could write an novel about seeing Arctic Monkeys (for the 5th time), but I won't continue to annoy anyone reading this lengthy (and not-so detailed) account of Lollapalooza 2011. Let's just say, my voice was gone and as I watched Alex Turner slide across the stage on his knees, I felt a bit like a proud parent. My favourite moment was during "Hellcat Spangled Shalalala" -that song is just perfection and the band just seemed lost in its melodies.

An hour later, with more storm could approaching, Foo Fighters took the stage. It was a whirlwind of serious rock & roll, with frontman Dave Grohl admitting that the band won't be "fucking around" and will play as many songs as possible in their allotted 2 hours. A perfect mix of new and old songs were played with original guitarist Pat Smear back on stage. Besides "Everlong", my favourite part of their set was during "My Hero." Dave introduced the track as a "real Foo Fighters'" song and as Taylor Hawkins' drums kicked in, it started raining harder than it had earlier that day. It was like a scene from a movie, a truly epic moment where everyone just reveled in the imperfections of such a perfect moment. Mud, as well as fans, were flying through the air and everyone around you was your best friend. It was the most amazing ending to a weekend of freedom and fun.

While the festival seemed be overdone with house music and dubstep, the "real" bands honored the legacy that is Lollapalooza. Now, with the summer ending and the real world rearing its ugly head, I can only wait for the end of next summer.